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8 essential Seattle hip-hop records of 2017
2018.04.16 21:54 itsPittsoul8 essential Seattle hip-hop records of 2017
Shabazz Palaces "QUAZARZ: BORN ON A GANGSTER STAR"
Nacho Picasso "ANTIHERO VOL. 2"
Ear Dr.Umz The Metrognome "BOOMBOX DETOX"
Wizdumb "SHADOWS" Released August 2017
Since its release in August, "Shadows" has been a Seattle underground sensation, an old-school CD whispered about and passed around by people in the know, a favorite of beatmakers and crate diggers. People come up to me at shows and ask in hushed tones, "So, have you heard Shadows?" It's therefore no surprise that this community voted big for this fantastic fever dream. It's a product of two-and-a-half years of labor, tweaks and technical craftsmanship, when Wizdumb finally emerged from the lab with his solo debut. How to describe it? Imagine if MF Doom and J.Dilla cooked up a 1950s radio play about a hired gun, collaged out of samples, and featuring both old and new heroes of our town, like Specswizard, Moka Only, Able Fader and Tuesday Velasco. The sweet spot begins with "Execs" and "Diggin' Jawn" before "Suckaz" throws down the hammer. On the opening dialogue, Wizdumb makes it clear: "That's nice, I don't give a fck what you spit." What follows is a pure ego dis-track, cutting through all our city's pretension and bullsht, straight-shot mercenary, knocking down the competition. "So Clear" is the victory lap that follows, with Specs on the clean-up crew, rapping, "No apologies when I freeze all emcees." Wizdumb's unassuming alter ego can be found tending bar at Vermillion. Swing by one of that venue’s many hip-hop nights and get your hand on this CD, already on its third pressing. In honor of Wizdumb's Mexican heritage, sip some tequila, and listen to the many mysteries emerging from those hallowed shadows. Stream it on Spotify: https://open.spotify.com/album/1OWDLjJ1yvMnt1i3x7u0Cd Stream it on Apple Music: https://itunes.apple.com/us/album/shadows/1276943360 Stream it on Bandcamp: https://wizdumb.bandcamp.com/album/shadows
DoNormaal "THIRD DAUGHTER" Released July 2017
Few albums from 2017 have had as much to say about our turbulent times--our year of protests and rebellion, of identity, race and responsibility--so succinctly summarized on this epic marker, Third Daughter from DoNormaal. Emerging from the dragon’s maw of “gold rooster” she declares of multicultural heritage, “They still make Americans just like they used to.” During a recent DoNormaal show, one specific moment brought this record clearly into focus for me: On the chorus of the addictively catchy “ego slave,” she repeats, “March on, march on, everybody needs to step front, I’m going be the only one to take a step back right now.” It’s a line spoken by an iconoclast outsider, that when performed live, you witness as the careful orchestration of adoring masses, asking us to close in, while she, the matador on stage, the only one to step back, waves the daring red flag that works us into a frenzy because the time for sitting on the sidelines in silence is over. On “dodo call” she bluntly questions, “But will you show up when the people call?” These anthems are contrasted with moments of too-close intimacy, (“revenge”) and virginal sweetness (“my teacher” featuring partner Raven Hollywood). DoNormaal complements her stellar songwriting with a cadre of the city’s most-talented beat makers: Wffls, Luna God, Brakebill, Mario Casalini, Fish Narc, Joe Valley and others. There’s so much to love here, from the vocal experimentation on “heat lullaby” to Wolftone‘s guest verse on “don’t make me wait.” This remarkable record, blistering with confidence and clarity, demonstrates why DoNormaal is the titan of the local scene. Stream it on Soundcloud: https://soundcloud.com/donormaal/sets/third-daughter Stream it on Bandcamp: https://donormaal.bandcamp.com/album/third-daughter
Taylar Elizza Beth "FRESH CUT FLOWERS" Released May 2017
The Fresh Cut Flowers EP from Taylar Elizza Beth summons that primal childhood feeling of hiding under the covers, reading by flashlight, afraid you might be caught, where the smallest rustling carries massive weight. But these delicate petals summon phantom roots, asserting growling resilience against the wind. “I am afraid of no one,” Taylar declares on “High & Haunted,” before conceding, “I am afraid of myself.” This track is a menacing centerpiece emboldened by Wolftone‘s dirty production. This EP has many highlights, but foremost are the collaborations with five of city’s producers-du-jour: Luis Vela's reverb wash, Urban Nerd's electro-pop, Luna God's ear for funky timing, and the mesmerizing keys on “The Storm,” from Sendai Mike. This is music that smolders at an unhurried pace, aware of its mortality. On "Synthesis" she sings, "I am dying," and in that pause you are faced with your and everyone you know's march through life toward our eventual deaths. At only 18 minutes, these are five-song mic-drop moments worth clinging to. Stream it on Soundcloud: https://soundcloud.com/taylarelizzabeth/sets/fresh-cut-flowers Stream it on Bandcamp: https://taylarelizzabeth.bandcamp.com/album/fresh-cut-flowers
Da Qween "BABESPACE" Released October 2017
Toward the end of the first track, “Welcome,” featured artist Anjaliqua warns, “You think they’re ready for this? They better get ready, and fast.” So begins the bold BabeSpace mixtape from Da Qween, one of the most fun 9-track romps you’ll experience all year. Seattle’s queer hip-hop scene is home to some of the absolute best music currently emerging from our city. But this record ain’t featured here as an exceptional black queer classic: BabeSpace is easily one of the top hip-hop gems of 2017. Back in the spring, I saw Da Qween at Substation--who led us through a breathtaking performance in an immaculate white suit, I was subsequently captivated, enthusiastically waiting for this record to be released. Few long-players give so much pleasure from start to end, from entrancing R&B tracks worthy of Sade record (“BabeSpace”) to the demolishing pounding of the rapid-fire spit verses on “H.O.M.O. (Hang Out Make Out).” The key change in “White Nightmare” always gives me chills. Da Qween explores themes both personal and familiar: From trying to find and establish your identity, to the mundane social media moments of “double tapping my ‘gram.” I’m reminded of a 20-year old single from Vitamin D & The Note (from the Born Day EP) called “Who That??” which would slot in surprisingly well on this record. This perhaps goes to demonstrate how perfectly BabeSpace fits in the long Seattle hip-hop canon. Seek this one out, even though you probably ain’t ready for this. Stream it on Soundcloud: https://soundcloud.com/qweenofthots/sets/babespace
Dave B "PEARL" Released November 2017
Pearl is an ambitious, soul-tinged departure from Dave B's previous work, harnessing the energies of a live backing band to gorgeous results. “I don’t recognize the man I’ve become,” he croons, while surrounded by sweeping, spectacular guitar solos on album closer, “Sweetest Thing.” It's a romantic and bittersweet torch song, like many of them here, that leaves you swooning. In their review, The Seattle Times described Pearl as a breakup record, and it’s true that these songs ponder the pros and cons of singledom, dating and commitment. But after a year of bad news and presidential oxygen suck, you’ll also hear a strong longing to tune out the Twitter tirades through idle distraction, to say "I just can't deal," and binge Nextflix, drink a little too much, and scroll and scroll and scroll through social media. When that dark cloud threatens to overtake you, “Whenever you find yourself bored,” that’s when you spin the two-track tour-de-force of “Scrolling” and “Magnum,” the latter an extended outro of the first, bursting with experimentation, screwed, chopped and, for me anyway, heavily on repeat. Dave B has had his world turned upside down this year--selling out The Neptune, performing on The Tonight Show, and touring across America and Australia. This record demonstrates how much he deserves every accolade and success, with many more to come. Stream it on Spotify: https://open.spotify.com/album/0rtro45NlxC91C0fxh5ieX Stream it on Apple Music: https://itunes.apple.com/us/album/pearl/1299993575 Stream it on Soundcloud: https://soundcloud.com/davebmusic/sets/pearl
Shabazz Palaces "QUAZARZ: BORN ON A GANGSTER STAR" Released July 2017
The 1991 novel "Time's Arrow," by Martin Amis tells the story of an alien who experiences time backwards, and who is perplexed by all our human behavior throughout the 20th century, where people become sick after visiting the hospital, and where the Holocaust births millions of new humans. Shabazz Palaces's twin 2017 records are concepted around a similar story: Quazarz is an extraterrestrial foreigner who is trying to make sense of contemporary America: Our capitalism, our fake news, our police brutality and our smartphone obsessions. Throughout the verses, you'll recognize your habits and values reflected back, and see them as equally perplexing and strange. This second record, the black one, called Quazarz: Born on a Gangster Star, was originally conceived of as bonus material for the first ("Jealous Machines") before taking on a life of its own. Songs here have a stasis, a hazy quality, echoes of spare drums and barely-there beats that stubbornly refuse to groove. Still, tracks like "Eel Dreams" and the Kraftwerk-inspired "Moon Whip Quäz" find their own abstract way to rock, taking you on a sort of mystical space-travel journey. Overall, there's an ease to the music on this record, an exploration of artists hanging out and playing and innovating, unconcerned with convention or commercial viability. Influences pull from everywhere: improvisation, sampler-based free-jazz, indie and prog-rock, fusing the sound waves into a truly unique sonic landscape. This record opens your eyes. We're all Quazarz. Our world is a confusing and magical place. Stream it on Spotify: https://open.spotify.com/album/403FpASwFwZEg1oc0qzwBR Stream it on Apple Music: https://itunes.apple.com/us/album/quazarz-born-on-a-gangster-sta1223553465
Nacho Picasso "ANTIHERO VOL. 2" Released September 2017
"iGo," the opening track on Nacho Picasso's 2017 release, AntiHero Vol. 2, was playing in my headphones. The vocals bounce around, across several voices. I went to look up who all the featured rappers were on this track, and to my surprise, it's all Nacho, playing different characters, different intonations, inhabiting different bodies. A few songs later, I thought, "Into The Night" should be suffixed, "feat. Nacho Picasso," because here the opening vocals from Mistah F.A.B. and Kobe set up the pins for Nacho to walk in with the assassin's verse and strike 'em all down. This guy is a town talent, with impressive range and unorthodox idiosyncrasy. The songs on this record are fantasies of excess, too: sex and death and violence. "I'm on some murder sh*t," he raps on "Cereal Killer," before cracking a joke. A lot of these songs are laugh-out-loud funny. On "Somehow (Feat. Raz Simone)" he suggests, "I got a dark past, so bring a flashlight." The single "Queen of the Dammed" orbits around a deceptively simple loop, and will be permanently stuck in your head. This is the latest in a recent series of collaborations with Harry Fraud. Stream it on Spotify: https://open.spotify.com/album/0TkgAxfy45wQBYGk1SN8yR Stream it on Apple Music: https://itunes.apple.com/us/album/antihero-vol-2/1294797171 Stream it on Soundcloud: https://soundcloud.com/nachopicasso/sets/antihero-vol-2
Ear Dr.Umz The Metrognome "BOOMBOX DETOX" Released November 2017
Boombox Detox begins with a harpsichord sample, something Classical, and then drops a scratch and a dry boom-bap beat. Before writing about hip-hop, I scribbled a bit about Bach, Beethoven, Brahms and the gang, so it always pleased when an artist digs into that genre for samples and inspiration. That's certainly the case here with this instrumental full-length from Ear Dr. Umz The Metrognome. In November, an uploading error resulted in him leaking his own record before he'd intended to, reminding me of that famous quote that art is never truly done so much as it stops in some interesting place. But that hardly affected its success. "ANTARES" is a fav track, with sexy jazz horns and a fascinating reversal, as is the astro-space scratching on "CLOSETOTHECHEST." Every one of these 13 tracks contains small, detailed moments that reward a careful listener: Play attention to all the subtle ways the funk bass is manipulated throughout "SYSTEMSOUND." Two bonus tracks close out the record and add vocals to the mix, featuring rappers ALCZR and Gabriel Teodros, the latter of whom delivers some of his best, most relevant verses on "MOST STORIES ARE STILL FOUGHT WITH STORIES." Stream it on Bandcamp: https://eardrumzthemetrognome.bandcamp.com/album/boombox-detox-2017
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